Author: J. Parker
Publisher: Springer
ISBN: 0230607217
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
Drawing on the insights offered by contemporary chaos theory, Narrative Form and Chaos Theory explores how models of turbulent dynamical systems in the physical world parallel structures in certain kinds of narratives. By closely looking at Laurence Sterne's Tristram Shandy, Marcel Proust's In Search of Lost Time, Virginia Woolf's Mrs. Dalloway, and William Faulkner's Absalom, Absalom!, Parker demonstrates how these insights can be applied to the analysis of narrative structure and meaning. This innovative interdisciplinary work will appeal to scholars interested in narratology and in the connection between chaos theory and literature.
Author: J. Parker
Publisher: Springer
ISBN: 0230607217
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
Drawing on the insights offered by contemporary chaos theory, Narrative Form and Chaos Theory explores how models of turbulent dynamical systems in the physical world parallel structures in certain kinds of narratives. By closely looking at Laurence Sterne's Tristram Shandy, Marcel Proust's In Search of Lost Time, Virginia Woolf's Mrs. Dalloway, and William Faulkner's Absalom, Absalom!, Parker demonstrates how these insights can be applied to the analysis of narrative structure and meaning. This innovative interdisciplinary work will appeal to scholars interested in narratology and in the connection between chaos theory and literature.
Author: Sonia Front
Publisher: Cambridge Scholars Publishing
ISBN: 1443882038
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
This book addresses the notion of time and temporality and its various conceptualizations in the theories of the new physics, utilized as a thematic and formal framework in the British novel of the twenty-first century. As the Newtonian conception of reality does not provide a reliable framework within which to situate human experience and generate meaning, fiction writers have recognized quantum mechanics as a potent source from which to draw in search of new metaphors. The quantum has become a part of the understanding of reality, and its concepts and assumptions have been absorbed into the textual structure and content of literary fiction. Shapes of Time in British Twenty-First Century Quantum Fiction examines human temporality as mediated by the timeshapes imagined within the context of the new physics, and explores the philosophical implications for human temporality and identity of situating an individual within the realm of physical time. Its chapters deal with various concepts of the new physics connected with temporality, and their appropriation in a selected novel: parallel universes in Andrew Crumey’s Sputnik Caledonia (2008), eternal recurrence and Poincaré’s theorem in David Mitchell’s Cloud Atlas (2004), chaos theory in Samantha Harvey’s The Wilderness (2009), and the end of time in Scarlett Thomas’s The End of Mr. Y (2006). Each of them corresponds to a different conceptual shape of time: tree, concertina, spiral and snapshot, respectively, which is enacted on the formal level. Analyzing the new time constructs in a narrative, this book thus uncovers passages between scientific and humanistic standpoints, and reveals quantum fiction to be an effective tool for visualizing the subjective non-homogenous experience of private time.
Author: Sonia Front
Publisher: Cambridge Scholars Publishing
ISBN: 144386918X
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
The papers gathered in the present collection investigate time and temporality from a number of interdisciplinary perspectives: literary or film studies, postcolonial theory, physics, philosophy, psychology, urban studies, history and gender studies. This wide spectrum of scholarly approaches encompasses chapters dealing with the convergences of time and the human psyche; time and the body; time and memory; time and trauma; time and change; time and cultural reproduction; time and language; time and the city; and time and identity. It transpires that the imaginary refigurations of time more often than not constitute resistance against the linearity of chronometric time, represented by institutions, capitalism, government and power, and attempts to colonize the human psyche. In attempting to assault this hegemony of linear time, literary, cinematographic and cultural practice enacts exploding temporalities to reflect the multifacetedness and multidirectionality of the human experience of time.
Author: Marina Grishakova
Publisher: U of Nebraska Press
ISBN: 080329686X
Category : Literary Criticism
Languages : en
Pages : 468
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Book Description
"Narrative Complexity is an interdisciplinary volume that explores aesthetic, cognitive, and technological aspects of narrative complexity. This volume offers a new conceptual framework for the study of narrative complexity"--
Author: Sabine Gross
Publisher: BRILL
ISBN: 9004315721
Category : Science
Languages : en
Pages : 320
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Book Description
Scholars in the arts, the humanities, and the sciences offer a multi-faceted investigation of the fundamental human experience of temporality—from reproductive politics and temporal logic to music and theater, from law to sustainability, from memory to the Vikings.
Author: Thanasis Lagios
Publisher: Springer
ISBN: 3319755862
Category : Political Science
Languages : en
Pages : 144
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Book Description
This book addresses two interrelated discourses of crisis in contemporary Europe: the migrant crisis vs. the economic crisis. The chapters shed light on the thread that links these two issues by first examining immigration and the transformations regarding its control and administration via border technologies, as well as on the centrality of the body as a means and carrier of border within contemporary biopolitical societies. In a second step, the authors proceed to a genealogy of the current discourses regarding the financial and political crisis through a Foucauldian and Lacanian perspective, focusing on the co-articulation of scientific knowledge and biopolitical power in Western societies.
Author: Heidi C. M. Scott
Publisher: Penn State Press
ISBN: 0271065362
Category : Nature
Languages : en
Pages : 224
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Book Description
In Chaos and Cosmos, Heidi Scott integrates literary readings with contemporary ecological methods to investigate two essential and contrasting paradigms of nature that scientific ecology continues to debate: chaos and balance. Ecological literature of the Romantic and Victorian eras uses environmental chaos and the figure of the balanced microcosm as tropes essential to understanding natural patterns, and these eras were the first to reflect upon the ecological degradations of the Industrial Revolution. Chaos and Cosmos contends that the seed of imagination that would enable a scientist to study a lake as a microcosmic world at the formal, empirical level was sown by Romantic and Victorian poets who consciously drew a sphere around their perceptions in order to make sense of spots of time and place amid the globalizing modern world. This study’s interest goes beyond likening literary tropes to scientific aesthetics; it aims to theorize the interdisciplinary history of the concepts that underlie our scientific understanding of modern nature. Paradigmatic ecological ideas such as ecosystems, succession dynamics, punctuated equilibrium, and climate change are shown to have a literary foundation that preceded their status as theories in science. This book represents an elevation of the prospects of ecocriticism toward fully developed interdisciplinary potentials of literary ecology.
Author: Elsa Högberg
Publisher: Bloomsbury Publishing
ISBN: 135002273X
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Revisiting Virginia Woolf's most experimental novels, Elsa Högberg explores how Woolf's writing prompts us to re-examine the meaning of intimacy. In Högberg's readings of Jacob's Room, Mrs Dalloway, To the Lighthouse and The Waves, intimacy is revealed to inhere not just in close relations with the ones we know and love, but primarily within those unsettling encounters which suspend our comfortable sense of ourselves as separate from others and the world around us. Virginia Woolf and the Ethics of Intimacy locates this radical notion of intimacy at the heart of Woolf's introspective, modernist poetics as well as her ethical and political resistance to violence, aggressive nationalism and fascism. Engaging contemporary theory – particularly the more recent works of Judith Butler, Luce Irigaray and Julia Kristeva – it reads Woolf as a writer and ethical thinker whose vital contribution to the modernist scene of inter-war Britain is strikingly relevant to critical debates around intimacy, affect, violence and vulnerability in our own time.
Author: Clive Bloom
Publisher: Springer Nature
ISBN: 3030845621
Category : Fiction
Languages : en
Pages : 618
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Book Description
This handbook provides a comprehensive overview of research on the Gothic Revival. The Gothic Revival was based on emotion rather than reason and when Horace Walpole created Strawberry Hill House, a gleaming white castle on the banks of the Thames, he had to create new words to describe the experience of gothic lifestyle. Nevertheless, Walpole’s house produced nightmares and his book The Castle of Otranto was the first truly gothic novel, with supernatural, sensational and Shakespearean elements challenging the emergent fiction of social relationships. The novel’s themes of violence, tragedy, death, imprisonment, castle battlements, dungeons, fair maidens, secrets, ghosts and prophecies led to a new genre encompassing prose, theatre, poetry and painting, whilst opening up a whole world of imagination for entrepreneurial female writers such as Mary Shelley, Joanna Baillie and Ann Radcliffe, whose immensely popular books led to the intense inner landscapes of the Bronte sisters. Matthew Lewis’s The Monk created a new gothic: atheistic, decadent, perverse, necrophilic and hellish. The social upheaval of the French Revolution and the emergence of the Romantic movement with its more intense (and often) atheistic self-absorption led the gothic into darker corners of human experience with a greater emphasis on the inner life, hallucination, delusion, drug addiction, mental instability, perversion and death and the emerging science of psychology. The intensity of the German experience led to an emphasis on doubles and schizophrenic behaviour, ghosts, spirits, mesmerism, the occult and hell. This volume charts the origins of this major shift in social perceptions and completes a trilogy of Palgrave Handbooks on the Gothic—combined they provide an exhaustive survey of current research in Gothic studies, a go-to for students and researchers alike.
Author: Michael McCluskey
Publisher: Springer Nature
ISBN: 3030605558
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
Aviation in the Literature and Culture of Interwar Britain looks at the impact of aviation in Britain and beyond through the 1920s and 1930s. This book considers how in this period flying went from a weapon of war to an extensive industry that included civilian air travel, air mail delivery, flying shows and campaigns to create ‘airmindedness’. Essays look at these developments through the work of writers, filmmakers and flyers and examines the airminded modernism that marked this radical period. Its fourteen chapters include studies of texts by Virginia Woolf, George Orwell, Elizabeth Bowen, W.H. Auden, T.H. White and John Masefield; accounts of the annual RAF Display at Hendon and the Schneider Trophy; and the achievements of celebrity flyers such as Amy Johnson. This collection provides a fresh perspective on the interwar period by bringing analysis of aviation and airmindedness to the study of British literature, history, modernism, mobilities and the history of technology and transportation.